Go outside between dusk and dawn using whatever existing light is available recognizing its color and mood, make a photograph that is surprising by what it reveals.
1. Make a portrait where the person’s face and the background are the same exposure.
2. Make a portrait where the person’s face is exposed one stop under and the background is normally exposed. Drop the power of the strobe by one stop keeping the f stop the same.
3. Make a portrait where the person’s face is normally exposed and the background is one stop under.
4. Make a portrait where the person’s face is normally exposed and the background is two stops under.
Tuesday, October 23, 2012
Assignment 7 Strobe and Tungsten
Photograph a person with just the strobe light.
Photograph a person with just the tungsten light on.
Photograph a person using strobe on the person and tungsten on the background. Try some with motion.
Photograph a person with tungsten on the person and strobeon the background. Try some with motion.
Sunday, October 14, 2012
Assignment 6 Size Matters
Take two portraits of a person one with the 21" Beauty Dish and one with the Octabank and get the same results by using the placement of the subject, the light and the background. Look at results from class demonstration for ideas.
Using one strobe with a bank, light a person against a white background so that their face has a highlight and shadow side. The background should appear darker on the highlight side and the lighter on the shadow side.
Photo 2 Using one strobe with a bank, light a person against a white background so that their face is evenly lit and the background is black.
Tuesday, October 2, 2012
Assignment 4: Three Lights
Tuesday, September 25, 2012
Assignment 3 One Light
I created two images communicating an emotion of the
subject. The top image is intended to convey a calm and relaxed emotion within
the subject, while the bottom image intends to express a tense mood of the
subject. The laws of light that can be seen in these two images are the law
that light travels in a straight line as well as the inverse square law. Light
traveling in a straight line is evident in the first image, of the relaxed
subject, because the light traveling from the top right portion of the image is
traveling in a straight line and therefore blocked by the subject creating a
shadow on the left side of the image, underneath her face and on the side of
her arm. In the lower image, of the tense subject, the inverse square law is
demonstrated through the decrease of intensity as the light continues up the
subject’s face to the top of the image and away from the light source, which
was below and front of the subject.